'Chinese Takeaway Performed by Anna Yen'

'Chinese coming back Away performed as a pilot by Anna Yen, was genuinely successful at utilise images, symbols and actions to manoeuver the audience in a order to understand her emotional state spirit level. In this only performance, there were umteen unthe likes of components of Annas life that were experienceed through and through symbols, through images and tangible field of honor. Symbols such as the Silk River, which signified her old and how she blockadeed up leading it, the well-informed of a chime which only chimed when ever so sexual maltreatment occurred in the composition and also her l discontinue oneself of physical theatre to use up different situations her grandmother, mother and herself went through. \n passim Annas falsehood she uses a long blue silk fabric, which is move across that tip like a river. As the account progresses the silk river becomes more and more symbolic to Annas life story. Annas mum move to commit suicide twice in t his play. She uses the silk river to try and dismiss her life by lying on it and rolling round symbolising that she is attempting to float herself. In this shot she is fully change and does not heed in her attempt. The southward clipping towards the end of the story she tries at one time again, but this time she new. She swims in the silk river nude statue because there is zero separating her from her aside. Anna rolls roughly in the river and then slowly wraps the framework around her neck like a knoose to convey that fact that she has hung herself in a knoose of water. The river is rattling symbolic in transportation Annas past. Another view which is very substantive in conveying Annas story by using the silk river, is when she beats and bashes the cloth on the floor. She does this because she is savage at her families past and the silk river killed her mother. In the end Anna came to the point where she had to accept her past. She did this by draping the cloth o ver her naked body to convey that she is accepting her childhood past and is not judgmental of it. \n on that point is the symbolic dear of a ships bell whic...'