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Wednesday, May 6, 2020
The Classic 1957 Movie 12 Angry Men Delves In To A Panel
The classic 1957 movie 12 Angry Men delves in to a panel of twelve jurors who are deciding the life or death fate of an eighteen year old italian boy accused of stabbing his father to death. The twelve men selected as jurors are a diverse group, each coming to the table with their own socioeconomic backgrounds, personal experiences, prejudiceââ¬â¢s, and all of this plays a role in the jurors attitudes and/or misconceptions of the accused young man. How each of the jurors, all but Juror Eight played by Henry Fonda, experiences and personalities impact their original vote of guilty is clear at the beginning of the movie with the first vote. However, from the start, Juror Eight displays confidence, and demonstrates leadership abilities utilizingâ⬠¦show more contentâ⬠¦He had a pretty miserable eighteen years... I just think we owe him a few words. That s all.â⬠Juror Eight uses the appeal of logos often throughout the film, but one of the most prominent examples occurs wh en the jurors are discussing the knife that Juror 4 has pointed out is a unique knife that the storekeeper testified it was ââ¬Å"â⬠¦The only one of itââ¬â¢s kind he had ever had in stock.â⬠Juror Eight responds to Juror Four by saying, ââ¬Å"No. I m saying it s possible that the boy lost the knife and that someone else stabbed his father with a similar knife. It s possible.â⬠Then Juror Eight pulls the same knife from his pocket and stabs it into the table next to the murder weapon. Along with the three appeals, Juror Eight also utilizes logical fallacies to prove a point with other jurors. Logical fallacies are repeatedly used by the jurors throughout the movie, and Juror Eight is no exception. After Juror Ten states that he believes the boy is guilty because of the testimony given by the woman who lives across the street, Juror Eight employs an Ad Hominem fallacy when he responds to Juror Ten by asking, ââ¬Å" Iââ¬â¢d like to ask you something: you donââ¬â¢t believe the boyââ¬â¢s story. How come you believe the womanââ¬â¢s? Sheââ¬â¢s one of them too, isnââ¬â¢t she? Juror Eight uses another Ad Hominem fallacy just after Juror Three admits he would like to pull the switch to electrocute the boy when Juror Eight reacts to this by saying,Show MoreRelatedStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words à |à 1573 PagesManager, Production: Lisa Rinaldi Full-Service Project Management: Christian Holdener, S4Carlisle Publishing Services Composition: S4Carlisle Publishing Se rvices Printer/Binder: Courier/Kendallville Cover Printer: Courier/Kendalville Text Font: 10.5/12 ITC New Baskerville Std Credits and acknowledgments borrowed from other sources and reproduced, with permission, in this textbook appear on the appropriate page within text. Copyright à © 2013, 2011, 2009, 2007, 2005 by Pearson Education, Inc., publishingRead MoreMarketing Mistakes and Successes175322 Words à |à 702 PagesASSISTANT DESIGN DIRECTOR SENIOR DESIGNER SENIOR MEDIA EDITOR George Hoffman Lise Johnson Carissa Doshi Dorothy Sinclair Matt Winslow Amy Scholz Carly DeCandia Alana Filipovich Jeof Vita Arthur Medina Allison Morris This book was set in 10/12 New Caledonia by Aptaraà ®, Inc. and printed and bound by Courier/Westford. The cover was printed by Courier/Westford. This book is printed on acid-free paper. Copyright à © 2009, 2006, 2004, 2001, 1998, 1995, 1992, 1989, 1986, 1981, 1976 John WileyRead MoreFundamentals of Hrm263904 Words à |à 1056 PagesLise Johnson Sarah Vernon Amy Scholz Laura Finley Dorothy Sinclair Sandra Dumas Susan McLaughlin Kevin Murphy Laura Ierardi Allison Morris Hilary Newman mb editorial services David Levy à ©Michael Eudenbach/Getty Images, Inc. This book was set in 10/12 ITC Legacy Serif Book by Aptaracorp, Inc. and printed and bound by Courier/Kendallville. The cover was printed by Courier/Kendallville. This book is printed on acid free paper. Copyright à © 2010, 2007, 2005, 2002 John Wiley Sons, Inc. All rights reserved
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