The Evils Of Sexuality And Rock N Roll In Oates Story

The Evils of Sexuality and Rock ?n Roll In the short story, Where be You Going, Where Have You Been, Joyce Carol Oates criticizes teenagers reliance of rock n roll medicine and emphasizes the dangers of sexual promiscuousness through the spirit of the main contri bution Connie. In the story, rock candy is a continuous presence in Connies life. At the drive-in, she feels the background medicinal drug is something to depend on, and on sun afternoon with no drive-in and no boys around, the music gives Connie joy. Because of its consistency, Oates is wakeful to emphasize its absences. Leaving the shopping plaza in her friends fathers railway car Connie is non too far away from the drive-in to image the music. Like most rebellious teenagers, Connie finds her escape from the banality of every day life in music, by turning on the radio to drown shape up forth the quiet. The musics resolution in Connies life is vital to the character Arnold Friend; in that location are the in footstep way he talks and the room in which his wrangling re attend Connie of last years song lyrics. fairish as music had been ever present in the background, Ellie Oscars transistor radio provides a soundtrack for Friends seductive scene at the confirm with Connie. Drawing upon Elvis fiendish image among the older generation in the 60s, Oates describes Friend in the same way and uses music to harbinger Connies non-white end. Oates takes stick of the consequences of teenage sexual promiscuity. Connies natural understanding to flirt be mothers a negative trait. She thinks she can use her looks and her grammatical gender to get herself out of bad situations. Connie is so naïve that she does non assume the fellow feeling to realize Friends manipulation to her mind and body, therefore as readers we come to the conclusion she will not make it out of her house alive. The unspoiled-page story has inferences of sexual practice leading to Connies demise. Fr iends finish and wiseness that he is Connie! s neckr to his rendering of what their first sexual ack this instantledge will be similar this whole story is skilful of sexual references. Friend knows that Connie dreams of romance and love. Friends determination and firmness that he is Connies lover plays on her emotions to make her do what he wants. He flatters her and makes her want to know what real love is like. By the judgment of conviction Friend asks her what else is there for a girl like you but to be sweet and sanely and give in?

 Connie feels like she can do energy but comply she trusts her miss disposition to the end, and she is led to rui n.          Connie is abandoned to boys and calls Friend as respectable another boy whom she knows how to handle. correct though the story is left-hand(a) with no resolution, we suspect by the tone of the story and the rack with which Friend takes over Connie, that she will last be assail and murdered. At the end of the story Connie says, Im not going to see my mother again or quietude in my contend again. Although the story has a very dark ending, it also sets in a sense of reality. Joyce Carol Oates has communicated her ferocity of the dangers of sexual promiscuity and the reliance on corrupting rocknroll music. We all have sympathy for Connie in the fact that she cannot list what is going to befall to her. The fact that anywhere, anytime, danger can come around. We can now see the greater meaning of the verbal expression it can evanesce to anyone. If you want to get a full essay, order it on our websi te: BestEssayChe! ap.com

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